1.0 Technologies

1.1 Cable, Satellite, and Digital Technologies
Michele Hilmes (University of Wisconsin-
Madison, USA)

1.2 Digital Filming and Special Effects
Sean Cubitt (University of Waikato,
New Zealand)

1.3 CD and DVD
Anne Friedberg (University of California,
Irvine, USA)

1.4 The Internet and the World Wide Web
Jeremy G. Butler (University of Alabama,
Tuscaloosa, USA)

2.0 Production

2.1 The Business of New Media
John Caldwell (University of California,
Los Angeles, USA)

2.2 The New Intertextual Commodity
P. David Marshall (Northeastern University,
USA)

2.3 Innovation, Piracy, and the Ethos
of New Media
Douglas Thomas (University of Southern
California, USA)

2.4 Globalisation and Production
Tom O'Regan and Ben Goldsmith
(Griffith University, Australia)

3.0 Texts

3.1 The Impact of Digital Technologies
on Film Aesthetics
Michael Allen (Birkbeck College, University
of London, UK)

3.2 Narrative Equivocations Between
Movies and Games
Marsha Kinder (University of Southern
California, USA)

3.3 Online Comics and the Reframing of
the Moving Image
Scott Bukatman (Stanford University, USA)

3.4 The Myths of Interactive Cinema
Peter Lunenfeld (Art Center College
of Design, USA)

4.0 Consumption

4.1 Interactive Audiences?
Henry Jenkins (MIT, USA)

4.2 Watching the Internet
Dan Harries (Middlesex University, UK)

4.3 Self, Other, and Electronic Media
Tara McPherson (University of Southern
California, USA)

4.4 The Future of Film Distribution
and Exhibition
Janet Wasko (University of Oregon, USA)

5.0 Contexts

5.1 Old Media as New Media: Cinema
Lev Manovich (University of California,
San Diego, USA)

5.2 Old Media as New Media: Television
William Uricchio (MIT, USA)

5.3 New Media as Old Media: Cinema
Jan Simons (University of Amsterdam,
Netherlands)

5.4 New Media as Old Media: Television
William Boddy (Baruch College,
CUNY, USA)